Born
1951 Buffalo,  New York
Education
1973   Skowhegan School of Painting and Sculpture
1973   B.A.,  Middlebury College
1970   University of Vermont

www.stevemiller.com

Over the past 31 years, Steve Miller has presented 35 solo exhibitions at major institutions in the United States, China, France, and Germany. His exhibitions have been reviewed in Le Monde, Süddeutsche Zeitung, The New York Times, The Boston Globe, ArtForum, ARTnews,  Art in America and Isto E.  Miller was one of the first artists to experiment with computers in the early 1980’s, and his work today continues to integrate science, technology and fashion with fine art.  Using the lens of technology Miller reinvents at the traditional painted portrait, the world of fashion, particle physics, molecular biology and the world environmental crisis.  In 2007 Miller exhibited a collaborative project on the subject of human protein with the 2003 Nobel Laureate in Chemistry, Rod MacKinnon, in a solo show  at the Rose Art Museum at Brandeis University.  In 2013 this project will be a solo exhibition at the National Academy of Sciences in Washington, DC curated by Marvin Heiferman.

His current project, entitled “Health of the Planet,” is about the rainforest in Brazil. The forests of the Amazon are the lungs of our planet in that they process the oxygen/ CO2 exchange essential for a healthy global environment.  This project gives Brazil a medical check-up with an examination of our global lungs by taking x-rays of the plants and animals of the Amazon.

Solo Exhibitions

August 12 – September 9, 2013
Art Rio solo project at Fashion Mall, Sao Conrado, Rio de Janeiro

August 5- January 15, 2014 “Steve Miller” National Academy of Science, Washington DC
CrossingTheLineCatalog2up.pdf
2013 Gallerie Rigassi, Bern, Switzerland
2013 National Academy of Sciences, Washington D.C.
2012 “Saude do Planeta”, Harpers Books, East Hampton, NY
2011 “Fashion Animal”. Galleria Tempo, Rio de Janeiro, Brazil
2010    Gallery Maya, London
2009 Robin Rice Gallery, New York, NY
2007 Rose Art Museum, Brandeis University, Waltham, MA
2005 Prudential Center, Hampton Classic, Bridgehampton, NY
2003 Galerie Lilian Andree, Basel, Switzerland
2002 Raphael Rigassi Gallery, Bern, Switzerland
1. Universal Concepts Unlimited, New York
2000 “Neomort”, Universal Concepts Unlimited, New York
1.Hong Kong Arts Center, China
Saks Fifth Avenue Project Art, Southampton, NY
1998 Sagpond Vineyards, Sagaponack, NY
Karin Sachs Gallery, Munich
1996 Centre International d’Art Visuels CARGO, Marseilles
Espace d’Art Yvonamor Palix, Paris
CAPC Musée Bordeaux, Galerie Pour la Vie
1994 Espace D’Art Brenne, France
1993 Galerie Karin Sachs, Munich, Germany
Nina Freudenheim Gallery, Buffalo, New York
A.B. Galeries, Paris
1992 Elga Wimmer Gallery, New York
1991 Galerie du Genie, Paris
1989 Fiction/non fiction, New York Carol Getz Gallery, Miami, Florida
1.Josh Baer Gallery, New York
2.Galerie du Genie, Paris
1987 Josh Baer Gallery, New York
1986 Jack Shainman Gallery, Washington, D.C.
1985 Public Art Fund-Times Square Electronic Bill Board
Jack Shainman Gallery, Washington, D.C.
Bette Stoler Gallery, New York
1982 Artist’s Space, New York
1981 White Columns, New York

Selected Group Exhibitions
May 18 – June 18, 2013“The Big Show 8”, Silas Marder Gallery, Bridgehampton, NY
June 26-September 15, 2013“Summertime Salon 2013,” Robin Rice Gallery, New York
July 16th to September 8th , 2013“Machinarium”, Oi Futuro Ipanema, Rio de Janeiro,
2012 “Bad For You”, Shirazu Gallery, London, UK
“Dreams”, Galerie Rigassi, Bern, Switzerland
2011 “50^th Anniversary Exhibition”, Rose Art Museum, Boston, Mass
“Paris Photo”, John McGuinnie @ Glen Horowitz Booksellers, Paris, France
2010   “Arquivo Geral”, Centro de Arte Helio Oiticica, Rio de Janero, Brazil
“Exposição Fotografias: da paisagem ao geometric”, Galeria Mercedes Viegas, Rio de Janero, Brazil
“Art/Science Exhibition”, Schneider Museum Of Art, Southern Oregon Univ.,OR.
“Moxie and Mayhem: Acquisitions for a New Museum”, Burchfield Penney Art Center,
Buffalo State College, NY
2009 “Octet”, curated by Suzanne Anker and Peter Hristoff, Pera Museum, Istanbul, Turkey
“Deviant Specimens: Amanda Means, Steve Miller and Gary Schnyder”, Howard
Yeserski Gallery, Boston, Mass
“American Rendition”, dance performance by Jane Comfort and Company, Duke Theater, NY, NY
2008 “Imagination on Behalf of Our Planet”, Organized by Art & Science Collaborations, Inc., A.S.C.I. 10th International Digital Print Exhibition, New York Hall of Science,  NY, NY
“I Dream of Genomes” curated by Janet Goleas, Islip Art Museum, Islip, NY
“Container Exhibition” LongHouse Reserve, Easthampton, New York
2007 “Coletiva 2007”, Mercedes Viegas Arte Contemporanea, Rio de Janerio, Brazil
“Brasil Des Focus: o olho de fors”, curated by Paulo Herkenhoff and Nessia Leonzini,
Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil
2006 “Luxury Goods”, curated by Beth Rudin DeWoody, Kathleen Cullen Fine Arts, New York, NY
“Neuroculture: Visual Art and the Brain”, curated by Suzanne Anker and Giovanni Frazetto, Westport ArtCenter, Westport, CT
2005 ”Finders Keepers”, curator Alicia Longwell, Parrish Art Museum, Southampton, NY
“Abstraction”, Burchfield-Penney Art Center, Buffalo, NY
“Colecoes IV”, curator Nessia Leonzini, Luisa Strina Gallery, Sao Paulo, Brazil
“Le Cas du Sac”, au Musée de la Mode et du Textile, Paris
“Collection 2”, foundation pour l’art contemporain Claudine et Jean-Marc Salomon, Annency, France
1.“Colecoes IV”, curator Nessia Leonzini, Mercedes Viegas    Arte Contemporanea, Rio de Janeiro, Brazil
“Reprotech: Building Better Babies”, curator, Suzanne Anker, The New York Academy of Sciences, New York
2003 “From Code to Commodity: Genetics and Visual Art”, organized by Suzanne Anker, The New York Academy of Sciences, New York
“Genomic Issue(s): Art and Science”, organized by Karin Sinscheimer and Marvin Heiferman, The Graduate Center of the City University of New York, New York
2001    “Digital Printmaking Now”, Brooklyn Museum of Art
1.“Paradise Now: Creating the Genetic Revolution”,  Marvin Heiferman and Carol Kismaric (curators), Exit Art, New York“
13 Alumni Artists”  Middlebury College Museum of Art, Middlebury, Vermont
1999 “DREAMS 1900-2000”  Equitable Art Gallery, New York
1997 “Sous le Manteau” Galerie Thaddaeus Ropac, Paris
1995 “Morceau Choisis, du Fonds national d’art contemporain” Centre National d’Art Contemporain de Grenoble, France
“Imaging the Body, an Artistic Diagnosis”, The New York Academy of Sciences
“Humanism and Technology: the human figure in industrial society”, National Museum of Contemporary Art, Seoul, Korea, organized by Pierre Restany
“The Outside Inside Gertrude Stein”, Dortmunder Kunstverein, Dortmund, Germany
1994 “Logo non Logo”, Threadwaxing Space, New York, organized by Robert Morgan and Pierre Restany
“Les Americains :  50 Annees de Peinture Americaine 1944 – 1994”, Fecamp:  PalaisBenedictine
1993 “Compkuenstlerg”, Kunstlerwerkstatt Lothringer Strasse, Munich
1992 “Excess in the Techno-Mediacratic Society”, Musee Sarret de Grozon,
Arbois, France, organized by Joseph Nechvatal
1991 “Art, Science et Materiaux”, at L’Institut des Materiaux, Nantes, France
1989 “Chaos”, The New Museum of Art, New York
1988 “Digital Explorations:  Emerging Visions In Art”, Tibor de Nagy Gallery, New York
1987 “Computers and Art”, Contemporary Arts Center, Cincinnati, Ohio
“Digital Visions:  Computers and Art”, Everson Museum of Art, Syracuse, New York
“The 2nd Emerging Expression Biennial:  The Artist and the Computer”, Bronx Museum of the Arts
“New York:  New Venue”, The Mint Museum, Charlotte, North Carolina
1986 “Dwyer, Lemieux, Majore, Miller, Nagy, Tim Rollins & KOS”, Rhona Hoffman, Chicago,
1985 “Emerging Expressions:  The Artist and the Computer”, Bronx Museum of the Arts
“Past & Future Perfect”, Hallwalls, Buffalo, New York
1984 “Between Here & Nowhere”, Riverside Studios, London, England, traveling exhibition
1983 “Language, Drama, Source & Vision”, New Museum, New York

PRESS

April 2013 “Trees in Focus,”  Anne Fontaine Foundation, published by Assouline
http://www.annefontainefoundation.org/en/content/photo-exhibition

Paolo Lima, Isto E’, “Vivo ou Morto”, (illustration pp.66-67), Dec. 21, 2011/ Ano 35, no. 2197.
Cate McQuaid, “A Botanical Bent”, Boston Globe, http://www.boston.com/ae/theater_arts/articles/2009/08/05/eyeing_p_towns_place_in_american_art/?page=2, August 5, 2009
Steven Deitz, Brookhaven National Laboratory (www.bnl.gov/world/), “Brookhaven Facilities at the Frontiers of Science…and Art”, Oct 26, 2009
Colin M. Graham, The Hamptonian, http://www.hamptons.com/The-Arts/Art-News/8556/Miller-Takes-His-Art-For-A-Ride-In-The-Surf.html, “Miller Takes His Art For A Ride In The Surf”, Aug. 13-26, 2009
Hillary Newman, The Huffington Post, http://www.huffingtonpost.com/hillary-newman-/interview-steve-miller_b_170385.html, “Interview: Steve Miller”, March 3, 2009
Robert Kanafo, NewArtTV, http://newarttv.com/Steve+Miller,  “Interview with Steve Miller”, Sept. 28, 2008
Plum TV, http://www.plumtv.com/videos/hamptons-artist-profile-steve-miller/index.html,  “Hamptons Artist Profile: Steve Miller”, April 10, 2008
David Coleman, Elle Décor, “Acquiring Mind”, (Illustration page 176), March 2007Elizabeth Fasolino, The East Hampton Star, “Contemporary Lessons”, July 22, 2007
Suzana Velasco, O Globo, “Olhos de for a miran o Brasil”, July, 30, 2007
Benjamin Genocchio, The New York Times, “Looking into the World of Genomes and Seeing an Unreliable Future”, March 2, 2008, (illustration: “Technical Divide”
Janet Goleas, The East Hampton Star, “Artist of X-rays and Atoms”, November 13, 2007(illustrated: “As We Understand More: 2007)
Pat Rogers, The Southampton Press, “Pottery Tells of Chinese History”, July 19, 2007
Pat Rogers, The Southampton Press, “Finding Link Between Art and Science, Ancient Objects are Inspiration for Artist”, December 22 & 29, 2005 (illustration,”Maximum Clusters” 2001)
Jennifer Landes, The East Hampton Star, “Obsessions on Display”, December 15, 2005
Eric Ernst, The Southampton Press, “Is Collecting Also Creating? Parrish show finds works on eBay, not at Sotheby’s”, November 24, 2005
Suzanne Anker, Update New York Academy of Sciences Magazine, April/May 2004, REPROTECH: Building Better Babies, (illustration “L,Origine duMonde” 1994, page 6)
Kóan-Jeff Baysa , Photography Quarterly, #88 Volume 21, No. 3, 2004. Center for Photgraphy at Woodstock, Divining Fragments: Reconciling the Body, (illustration “L’Origine du Monde” 1994, page 10)
Suzanne Anker, Leonardo, Gene Culture:Molecular Metaphor in Visual Art, Vol 33, No 5, 2000
John Travis, Science News, Genes on Display: DNA becomes part of the artist’s palette, Vol 158, No.25, December 16, 2000 (color illustration page 392, “Genetic Portrait of Isabel Goldsmith” 1993)
Peter Schjeldahl, The New Yorker, DNART, a show embraces biomania, October 2, 2000
James Scully, Sole Man, Harper’s Bazaar, October 2000 (color illustration page 346, “The Bride Stripped Bare….”)
Michael Rush, Steve Miller at Universal Concepts Unlimited, Art in America, July 2000(illustration “Self-Portrait Vanitas # 44)
Carissa Katz, Steve Miller: Seeing Through His Subjects, The East Hampton Star, Sept 23, 1999 (front cover The Arts section, “Self-Portrait Vanitas # 66, 1999, page III-4, “Self-Portrait Vanitas # 9, 1998
Desiree Au, Artist’s Brush with Technology, South China Morning Post, March 12, 1999 (illus.
Weekend Entertainment Section, “Self-Porrtrait Vanitas # 9. 1998)
Einzig Barbara, Steve Miller/Acccessory Access, ARTBYTE,  Vol.1, No.6, Feb-Mar 1999 (illus. color page 52-53, x-rays of shoes, purse and purfume)
When Art Mocks – and Inspires – Fashion, International Herald Tribune, March 12, 1999
Paris Review, #147, Summer 1998, (front cover “Self-Portrait Vanitas #55, 1998)
Christophe Wiedemann, Suddeutsche Zeitung, March 12, 1998 “Computer Art: New
Impressions of Skulls and Flowers, Steve Miller at Karin Sachs Gallery
Sous le Manteau, LIBERATION, 14 Mars, 1997
bijoux, cailloux, dessous, ELLE, Mars 1997
Sous le Manteau, FIGARO MADAME, 19 Avril 1997
Art and Invention, WIRED, June l996 (illus. “Portrait of Isabel Goldsmith” 1996, color, pg.162)
Steve Miller, L’EXPRESS, No 2331 semaine du 7 au 13 Mars 1996
Morice, Anne-Marie, Steve Miller au pays de Brenne, La Croix L’Evenement, August 13, 1994
Huser, France, L’art et la science, le Nouvel Observateur, July 28 – August 3, 1994,(Illus., “Origine du Monde”, color)
L’origine du monde selon Miller, la Nouvelle Republique, June 25-26, 1994,(Illus., “Origine du Monde”, b/w)
Corbou, Michel, “Le Mariage de l’art et de la Technologie”, Enjeux Les Echos, no. 93, June
Matthieussent, Brice, Steve Miller:  A.B. galeries, art press 187, January 1994, (Illus., “Simon Lane”, “Pierre Restany”, “Self-portrait”, b/w)
Steve Miller:  Le Virus De L’Image, Beaux Arts Magazine, No. 118, December 1993
Breerette, Genevieve, Steve Miller at A.B. Galerie, Le Monde,  November 11, 1993
Huntington, Richard, Self-portraits from the inside out, The Buffalo News, October 14, 1993 (Illus., drawing of the artist’s brain, b/w)
Pagel, David, Techno Domination, Los Angeles Times, August 7, 1993
Suddeutsche Zeitung, March 23, 1993,  Karin Sachs solo exhibition.
Gerit, Henry, Steve Miller at Elga Wimmer, Artnews, October 1992,(Illus.,  “Perpetual Crisis”, b/w)
Hagen, Charles, Art in Review; Technological Alienation, The New York Times, June 12, 1992
Steve Miller-Vers une peinture virtuelle, art press special, October 1991, (Illus., “Sartorial Stutter”, “Lost Under Superstructures of Muscle Graft”, “A New Disease in Singapore”, b/w)
Bataillon, Francoise, Expose-Steve Miller/Pixels Contre Peinture, Beaux Arts Magazine, February 1991, Number 87, (Illus., “Rictus of Defense”, color)
Mahoney, Robert, Steve Miller/A New Disease in Painting, Galeries Magazine, February/March 1991, (Illus., “Clear Syrup of Surveillance” and “Your Very Own Creation  Myth”, color)
Grundberg, Andy, Photography Review-‘Not Painting’, The New York Times, April 27, 1990
Turner, Elisa, Three New York Artists Play With Perception, The Miami Herald, April 4, 1990
Michele, Cone, Strange Attractors/Signs Of Chaos, art press 141, November 1989
Prints and Photographs Published/Steve Miller, Print Collector’s Newsletter, November-December 1989, (Illus., “Untitled”, p. 22-89, b/w)
Turner, Elisa, Complex Works Stretch Limits Of ‘Graffiti Art'”, The Miami Herald, April 12,  1989, (Illus., “Untitled #3”, b/w)
Zanzotto, Andrea, Polemiques a New York:  hier et ajourd’hui, art press 130, November 1988
Smulders, Caroline, Steve Miller/Galerie du Genie, OPUS International, Nov-Dec, 1988, (Illus.,
“Untitled #33, 1988, b/w)
Une Nuit A La Bastille, Le Monde, October 5, 1988
Huntington, Richard, Twenty In New York, Buffalo News, September 27, 1988
McCormick, Carlo, Steve Miller/Josh Baer Gallery, ARTFORUM, May 1988, (Illus., “Untitled #5,1987”, b/w)
Haus, Mary-Ellen, Steve Miller At Josh Baer, ARTnews, April 1988, (Illus., “Untitled #5”, b/w)
Levin, Kim, Voice Choices/Art, Village Voice, February 2, 1988
Maschal, Richard, New Venue Gives New Audience To New York Artists, The Charlotte Observer, April 18, 1987
Cameron, Dan, Report From The Front, ARTS Magazine, Summer 1986, (Ill., “Paraphilia”, b/w)
Bannon, Anthony, Exhibit Looks to Past, Illuminates the Future, Buffalo News, April 10, 1985
Coleman, Nicols, Paintings By Steve Miller, The Washington Post, April 11, 1985,(Illus.,”Replacement”, b/w)
Bannon, Anthony, Recent Gallery Acquisitions Put Sculpture on a Pedestal, Buffalo News,March 10, 1985, (Illus., “Press”, b/w)
Brooks, Rosetta, From The Night of Consumerism to the Dawn of Simulation, ARTFORUM, February 1985, (Illus., “Landscape Study”, b/w)
Hatton, Brian, Between Here & Nowhere, Flash Art, January 1985
Shepard, Joan, Art Meets The Machine, Again, New York Daily News, January 20, 1984
Wolff, Theodore F., A Place For Today’s Most Challenging Art, The Christian Science Monitor, October 31, 1983
Zimmer, William, A Kind of Harmony at The Bronx Museum, The New York Times, May 15, 1983
Glueck, Grace, Three Shows Open New Bronx Museum, The New York Times, May 13, 1983
Lippard, Lucy, A Small Slice of Whose Pie?, Village Voice, June 8, 1982
Cavaliere, Barbara, Steve Miller at White Columns, ARTS Magazine, February 1982, (Illus., “Network”, b/w)